This video shows the making of "Fat Chance" from the beginning to the end. Fat Chance is comprised of marble, epoxy resin and organic materials.

What Really Happens In The Glen is a very early limited edition print of mine of a pen & ink drawing. Each 18" x 24" print of this woodland fantasy is printed on quality paper and is numbered, titled and signed in pencil. The prints are available at dyanashot@comcast.net for $35.00 each.

This sculpture is my interpretation of a red ant larva. The translucency of the alabaster lends itself to an interesting and mysterious effect of a red ant ready to emerge during its pupa stage of development. It is interesting to note that due to the nature of alabaster light transmits through the various graining beautifully. In this particular piece, when light transmits through the top area it actually looks like the red ant larva actually has a brain with a vascular system.

Sculptural depiction of a sleeping coal miner who works in the four feet high “monkey veins”. These miners crawled into and worked lying on their backs, stomachs and sides. They developed arthritis from the dampness and could not sleep on a soft bed. Therefore, they slept on the kitchen floor next to the coal stove to keep warm during cold winter nights.

This video shows how the figure in "Respite" was made for my show "Anthra-Sight".

Here you will find my art and other videos.

This is a sculpture of an embryo of a black mastiff bat in a very early stage of development. This creature is Dreaming of Flight.

This is my version of an over-extended bat wing. This view is of the front and back of the sculpture.

This sculpture represents the thumb talon of a bat that is used for climbing.

J.C.141 is a closed bat wing with looped thumb talon.

This is a sculpture of a Sarracenia plant. This plant gets its nutrients from prey that fall into the pitcher form of the plant. The prey is then disintegrated and digested by enzymes in the fluid inside the plant.

Shield is a mixed media sculpture composed of metal detecting detritus, rivets, polycrylic, steel rod and sandstone. 22“H x 10.5”W x 7.5”D

Blindsighted is a mixed media Norman nasal helmet inspired sculpture.

Longneck is a Medieval Saxon nasal helmet inspired mixed media sculpture.

Bonehead is a medieval bascinet armor helmet inspired sculpture.

This video is an overview of some stone sculpture by Denis A. Yanashot.

This video is an overview of mixed media relief by Denis A. Yanashot.

This video is an overview of the mixed media mosaic techniques of Denis A. Yanashot

This video is an overview of some of Denis A. Yanashot's assemblage sculptures.

Wave Curtain is a hanging fan activated kinetic sculpture consisting of 840 bottle caps connected with 14 gauge galvanized rings.

Video of Esoteric Devices.

This video showcases the venues of the four seasons after they have passed.

This is a mixed media wall relief depicting a nineteenth century Scranton, Pennsylvania coal miner. These coal miners fueled the Industrial Revolution of America. This piece was included in my solo exhibition Anthra-Sight at the Hope Horn Gallery at The University of Scranton.

Anthracite coal miners of Northeastern Pennsylvania had a saying, "If the timbers start talking, we start walking."
The timbers did not support the mine roof.
The mine roof was held up by pillars of stone that miners left standing as they dug out adjoining chambers of coal.
When timbers started to make noise or crack the miners left the area quickly because it meant there was movement above that indicated a cave-in of the mine ceiling was imminent.
This timber has spoken.

Nip Goin’Home depicts an early Northeastern Pennsylvania coal mine “nipper boy” fatally injured in an anthracite mining accident who is being carted home.
“Nippers” as young as 7 years old opened and closed doors in the deep anthracite mines to keep fresh air in the shafts where miners were working.
Nippers also opened the doors to let the full coal cars through.
Many nippers were killed when cars came rolling down the track and crashed into the closed doors while nippers fell asleep in the cold damp shafts because of prolonged periods of inactivity while coal was being loaded onto the cars by the miners.
When any worker died in the mines, they were carted home to the company house and left on the front porch along with a note, “If another family member cannot work, vacate this company house by tomorrow.”
This unfortunate Nip is going home.

This video is an overview of some of the bone sculptures by Denis A. Yanashot.

This is a mixed media relief of a 19th Century Northeastern Pennsylvania Coal Baron.

This video is an overview of the mixed media and assemblage work I did in regard to the Anthracite Industry of Northeastern Pennsylvania.

This video is of the 2024 Annual Spring Members' Exhibition at The Carving Studio & Sculpture Center Gallery in West Rutland, Vermont.

This video describes some of Denis A. Yanashot's mixed media work and its history in regard to Anthra-Sight a body of sculpture he produced pertaining to the defunct anthracite industry of Northeastern Pennsylvania. Sculpture in-the-round, hanging wall relief and mosaic formats comprise this series.

Denis A. Yanashot's solo exhibition Anthra-Sight: A Sculptural Narrative of the Anthracite Industry of Northeastern Pennsylvania opened on September 8, 2017 at The University of Scranton in The Hope Horn Gallery.

Yanashot gave a lecture/presentation on this work from 5:00 - 6:00 PM in Brennan Hall, 800 Linden St. (Madison Avenue between Linden and Mulberry Streets), Room 228 on Friday September 8, 2017.

After the lecture there was a public reception from 6:00 - 8:00 PM to view Anthra-Sight at The Hope Horn Gallery on the 4th Floor of Hyland Hall which is located on the northerly corner of Jefferson Avenue and Linden Street in Scranton, Pennsylvania.

Meditative Video by Denis A. Yanashot

This is the Facebook page for Sculpture Yanashot: The Fine Art of Denis A. Yanashot

Denis A. Yanashot, Sculptor, is interviewed by Erika Funke of WVIA FM on his solo exhibition "Anthra-Sight: A Sculptural Narrative of the Anthracite Industry of Northeastern Pennsylvania" at the Hope Horn Gallery at the University of Scranton, Scranton, Pennsylvania.

Lithops by Denis A. Yanashot captured "Best of Show" in the NEPA 2010 Regional Exhibition. A solo exhibition at Keystone College during 2012 was also awarded to Mr. Yanashot. Here is a brief video showing the venues and awards ceremony in regard to Denis A. Yanashot

This video shows the remnants of The Belt that moved a mountain of coal across the Lackawanna River. It was part of the lecture/presentation of the Anthra-Sight solo exhibition by Denis A. Yanashot at The Hope Horn Gallery at the University of Scranton.

In the Anthra-Sight series by Yanashot there is a relief sculpture entitled Mountain Mover. This piece is an abstraction of the belt constructed with remaining pieces of this defunct structure.

Parts of this structure of yesteryear are located at the former site of The Marvine Colliery in North Scranton where Toyota of Scranton now stands. A dilapidated part of The Belt still spans the Lackawanna River at the former site of Breaker No. 1 of The Marvine Colliery.

The Carving Studio and Sculpture Center is located at the head of two hundred acres of former marble quarrying and manufacturing facilities. The post-industrial landscape was a key element in the founding of our organization over 20 years ago. Today, inactive quarries and former manufacturing facilities offer a fantastic landscape for the imagination. The Carving Studio and Sculpture Center has expanded programming to include exploration of most sculptural media.

This is part one of the Sculpting of Jade Bloom. It involves the technique of roughing-out the Carrara marble with an electric grinder.

Part II of this video illustrates further roughing-out of Jade Bloom. A combination of traditional and modern methods is utilized in this segment.

In the last segment of this video "Jade Bloom" is in it's finishing stages. The use of a detail riffler is demonstrated along with mounting the sculpture to its base. Finish shots of "Jade Bloom" along with the kinetic properties of the base are demonstrated.

A gateway to the arts and culture in Northeastern Pennsylvania.

Lambert was born in Scranton, PA in 1975 and has resided in Northeast PA for his entire life. He is interested in drawing, cartooning, painting, music and writing since childhood.